Fame or Famine

One of the most challenging parts of working in ensemble dance is the challenge of getting everyone together. Whether it be the difficulties of rehearsing (such as So Real, who don’t have their own studio and use reflective windows) or Supreme Soul’s trouble just keeping their dance together  (Shane Sparks told them to “clean it up”) any time that you end up with that many dancers doing that many intricate moves, you’re going to have some trouble.
 The Weakest Link
With this kind of ensemble, there is no room for someone to have a “bad day” or be even slightly off. The …read more

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As I was going through the slurry of fine arts news that Google sends my way each day, I came across an interesting connecting thread between two very different types of theatre: Spanish.
The Bard for Our Time
As the Spanish speaking segment of the U.S. (as well as the rest of the world) continues to grow, it’s no surprise that the great playwrights such as William Shakespeare would be translated into that language. Indeed, it has been for ages; other languages, as well (I saw Othello in Japanese once, and got chills).
But here’s a twist on it: Romeo y Julieta is …read more

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Steve on Broadway (SOB) has a very poignant column out today about George Carlin. It’s sweetly memorable with a personal touch, and he notes that unlike contemporaries like Robin Williams, Carlin never did a Broadway show. Kind of surprising, when you think about it, for such a big name.
However, a little research reveals a CNN interview which may explain why. Carlin never wanted to do the traditional “[insert name of comic] on Broadway!” schtick. Like many of his acts, he wanted a bigger picture to be there. “That’s not really a Broadway show. That’s kind of using Broadway as a …read more

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Here’s the last donated blog from Steve Eley, creator of the Escape Pod Podcast (among others). I asked him to contribute not because of his expertise in the arts, but because I know he can tell a story. As you will see here…

Being asked by Gray to write a guest post on this blog was a bit surprising. This subject matter is a bit off my track; I’m not talented at the stuff Gray talks about. I’m a mediocre actor, a dangerously bad dancer, and there are laws prohibiting me from singing in six states. The one thing …read more

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I’m afraid my internet connection punked out on me at the end of the Blog-Off, and I didn’t make all 24 posts in 24 hours. But I had a lot of help from guest bloggers, and here is one article by Dana Pellebon, an actor, writer, and producer from Madison, WI.
Writer’s groups are a dime a dozen these days and very few distinguish themselves.  Inkslingers, based out of Madison, WI, is one of the very few who do and manage to have their work produced.  I have been lucky enough to act for them on and off throughout the past …read more

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A.S.I.I.D. (Detroit, MI) – They grew up in tough neighborhoods and lean on each other for support. Their inspiration comes from crew member Joey who is deaf.
Boogie Bots (Washington, DC) – They think of themselves as robots that have come to life. Each performance is dedicated to crew member Joesar’s father, who has been in a coma for the past six months.
Distorted X (Houston, TX) – All are studio dancers who have dubbed themselves “Houston Socialites — without the money.”
Fanny Pak (Los Angeles, CA) – This zany bunch is looking to bring back the bold and wacky energy …read more

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By Blog-Off Guest Blogger Michael J. Wallach
© 2008 Michael J. Wallach – Used by Permission of the Author
It used to be simple. You met an agency that you liked and you were presented with an agency contract that you could comfortably sign.  But, it doesn’t work like that anymore. What do I mean by that?  In the old days (not more than approximately five years ago) there was basically just one contract that an actor was given to sign. You were presented with a SAG Franchised Theatrical Motion Pictures and Television Contract. No problem. Signing it was easy because there …read more

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If I owe my career choices to anyone, I owe it to authors Spider & Jeanne Robinson and their novel Stardance. In fact, one of the most life-changing events in my life was spending a weekend with them on Gambier Island in Vancouver. Jeanne, who is both a dancer, a choreographer, and a zen roshi, was a vibrant and dynamic woman. And the idea of blending dance with technology, put forth in their novel, is literally what caused me to decide to major, in college, in Dance/Interarts Technology.
Making the Dream Real
Much to my joy, I find that Jeanne is making …read more

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As we come back to following the progress of July 20th, the GREAT BLOG OFF around the globe, we come to Newfoundland, home of Artistic Fraud. Specializing in “chorus based work,” the group is directed by Jillian Keiley and Robert Chafe.
All About Numbers
As the video on their site will tell you, in the past 9 years Artistic Fraud has called for:

81 school desks
 32 flourescent semaphore flags
790 maps
36 vibraphone keys
2400 square feet of polyester wedding dress lining
Over 300 performers.

You can see a short film about the relatively small production Fear of Flight on YouTube now, and hear the ensemble as they …read more

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After working as a stage manager for independent theatre in Toronto for almost a decade, I was lucky enough, in the summer of 2006, to be working at the Edinburgh Fringe Festival with a show from Volcano. We were performing at the Traverse theatre for the last two weeks of August – one of my favourite theatres to work in.
I’d been to Edinburgh with the same company back in 2002, when I had the chance to see a show from a Russian physical theatre company, Derevo. That show was called La Divina Commedia, took place in a circus …read more

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