Revolutionary Reading: Ratmansky and Acosta
A couple of fascinating literary works have come out – one journalistic, one autobiographical – that serve to really highlight how much the world has moved on from the days of Rudolph Nureyev and Mikhail Baryshnikov leaping over airport turnstiles to defect to the land of the free and the home of the brave.
Alexei Ratmansky
In the New York Times Chip Brown has written a piece about the very young artistic director of the Bolshoi Ballet, Alexei Ratmansky. At 39 he has become “one of the most sought after choreographers in the world.” Instead of plotting his escape from totalitarianism, the article describes how he calmly waits for visa approval in order to bring his style to America.
The piece is in-depth, not only describing his creative process but also the environment that he lives in – like some other brave performers, the new Russia is sometimes a quite tumultuous place to be an artist.
Carlos Acosta
For those looking for more thorough summer reading, one of the greats of the ballet world has written a memoir that has movie written all over it. Carlos Acosta is a principal dancer with the Royal Ballet – and like other greats such as Nureyev, he was born under a communist regime: Cuba.
The story of his fantastic rise from street urchin breakdancing to Michael Jackson bootlegs all the way to premiere ballerino makes for fascinating (if at times hyperbolic) reading, according to the New York Times book review. Still, it might be just the thing for those of us recovering from the end of Dancing with the Stars…
images courtesy of Newscom
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